Steffen Zillig, Only Originals, 2018, two-channel HD video collage, color, sound, 19‘
Steffen Zillig, Only Originals, 2018, video still, two-channel HD video collage, color, sound, 19‘, Courtesy of the artist and Conradi
Front: Tobias Donat, Back: Steffen Zillig, Sittenbilder (Genre Pictures)
Tobias Donat, How Might We Fight Inequality and Injustice, 2018, Daybed 01 by Buero Kofink Schels, digital print on canvas and digital print on hightwist nylon, Courtesy of the artist and Buero Kofink Schels
Tobias Donat, How Might We Fight Inequality and Injustice (Detail), 2018, Courtesy of the artist and Buero Kofink Schels
Tobias Donat, How Might We End Extreme Poverty (Detail), 2018, Courtesy of the artist and Buero Kofink Schels
Back: Buck Ellison, Front: Tobias Donat
Back: Buck Ellison, Front: Tobias Donat
Buck Ellison, Untitled (Christmas Card), 2018, Archival pigment print, 116.7 × 160 cm
Courtesy of the artist, The Sunday Painter (London) and Balice Hertling (Paris)
Left: Buck Ellison, Center: Tobias Donat, Right: Steffen Zillig
Buck Ellison, Dick and Betsy, The Ritz-Carlton, Dallas, Texas, 2019 Archival pigment print, 102 x 87 cm
Courtesy of the artist, The Sunday Painter (London) and Balice Hertling (Paris)
Buck Ellison, Pro, 2016, Archival pigment print, 116 x 146 cm
Courtesy of the artist, The Sunday Painter (London) and Balice Hertling (Paris)
Buck Ellison, Pro, 2016, Archival pigment print, 116 x 146 cm
Courtesy of the artist, The Sunday Painter (London) and Balice Hertling (Paris)
Buck Ellison, Husbands, 2014, Archival inkjet print, 56 x 71 cm
Courtesy of the artist, The Sunday Painter (London) and Balice Hertling (Paris)
Buck Ellison, Husbands, 2014, Archival inkjet print, 56 x 71 cm
Courtesy of the artist, The Sunday Painter (London) and Balice Hertling (Paris)
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