In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019
Exhibition view, Conradi
Left: Christina Koehler, Center: Supinice, Right: Christian Rothmaler
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi
Christina Koehler
Yellow Dog Blues, 2017
Video installation, HD Video, sound, dimensions variable
Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi
Christian Rothmaler
Tomasso und Dr. von Graefe heilen die Kranken, 2019
Ink, gouache, oil on canvas, 150 x 130 cm
Left: Jil Lahr, Right: Christina Koehler
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi
Jil Lahr, Guess Who’s Back, 2019
Acrylic on canvas
230 x 195 cm
Left: Christian Rothmaler, Right: Christina Koehler
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi
Christian Rothmaler, Get Cream in Neom, 2018
Ink, acrylic, oil on canvas
150 x 130 cm
Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi
Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi
Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019
Exhibition view, Conradi
Left: Jil Lahr, Right: Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi