
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019
Exhibition view, Conradi

Left: Christina Koehler, Center: Supinice, Right: Christian Rothmaler
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi

Christina Koehler
Yellow Dog Blues, 2017
Video installation, HD Video, sound, dimensions variable

Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi

Christian Rothmaler
Tomasso und Dr. von Graefe heilen die Kranken, 2019
Ink, gouache, oil on canvas, 150 x 130 cm

Left: Jil Lahr, Right: Christina Koehler
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi

Jil Lahr, Guess Who’s Back, 2019
Acrylic on canvas
230 x 195 cm

Left: Christian Rothmaler, Right: Christina Koehler
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi

Christian Rothmaler, Get Cream in Neom, 2018
Ink, acrylic, oil on canvas
150 x 130 cm

Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi

Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi

Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi

In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019
Exhibition view, Conradi

Left: Jil Lahr, Right: Supinice
In his ideal, the center of the pit was to remain free of any shadows cast by the new buildings, 2019, Exhibition view, Conradi