Thomas Baldischwyler et al., DAS WAR (Der Geschichtldrucker), 2019, Exhibition view

Supinice, Thomas Baldischwyler, Nicola Pecoraro, Dust

Thomas Baldischwyler, O.T. (una vertrina), 2019, Installation, mixed materials, 218 x 113 x 137 cm

H.-J. Oebbeke and Thomas Baldischwyler

Thomas Baldischwyler, O.T. (Druckerstreik 76/2), 2016, C-Print on truck tarpaulin

Thomas Baldischwyler, O.T. (una vertrina), 2019 (detail), Installation, mixed materials, 218 x 113 x 137 cm

Thomas Baldischwyler, O.T. (Eco), 2018

Left: Johanna Maxl, Unser gro├čes Album elektrischer Tage, 2018 (excerpt)
Right: Thomas Baldischwyler, O.T. (una vetrina), 2019 Installation (detail)

Thomas Baldischwyler, O.T. (Gauloises/Gitanes), 2018

Max Renkel (Top to bottom)
I-Phone (I-Phone 4, wood only, black, bright edge), 2014
I-Pad (wood/glass, black/grey), 2016
I-Phone (I-Phone 4, wood/glass, with black frame, wood visible underneath), 2015
I-Phone (smashed, I-Phone 5, all black), 2015
I-Pad (wood/glass, black/grey), 2016

Thomas Baldischwyler, O.T. (Panische Treppe), 2018, Collage, 29,7 x 21 cm

Elke Silvia Krystufek, Edie Here You Are Again, 1995, Courtesy of E. Krystufek and Wienerroither & Kohlbacher

Thomas Baldischwyler, O.T. (Geisterbahn fuer Geldautomaten), 2018, Collage, 29,7 x 42 cm

Sexes, 2018 (left), Thomas Baldischwyler, 2018 (front)

Mense Reents & Timo Schierhorn, 1 in 10.000, 2019, HD Video (Still), 2'24''

Flyer